Frederic Bazille
b.Dec. 6, 1841, Montpellier, France
d.Nov. 28, 1870, Beaune-la-Rolande
French
Frederic Bazille Galleries
was a French Impressionist painter best known for his depiction of figures.
Born in Montpellier, Herault, Languedoc-Roussillon, into a middle-class Protestant family, Bazille became interested in painting after seeing some works of Eugene Delacroix. His family agreed to let him study painting, but only if he also studied medicine.
Bazille began studying medicine in 1859. He moved to Paris in 1862 to continue his studies. There he met Pierre-Auguste Renoir, was drawn to Impressionist painting, and began taking classes in Charles Gleyres studio. After failing his medical exam in 1864, he began painting full-time. His close friends included Claude Monet, Alfred Sisley, and Édouard Manet. Born to a wealthy family, Bazille helped support some of these artists by giving them space in his studio and materials to use.
Bazille was just twenty-three years old when he painted several famous works, including The Pink Dress. His best known painting is Family Reunion (1867?C1868). Related Paintings of Frederic Bazille :. | Self Portrait | Self Portrait | After the Bath | The Terrace at Meric | Scene dete | Related Artists: Paolo Finogliothe Neapolitan painter
1590-1645 Richard Doyle1824-1883
English caricaturist, water colorist, and illustrator. He was the son and pupil of John Doyle, a popular caricaturist. His Journal (British Mus.), a book of sketches done at the age 15, shows his extraordinary precocity. He worked on the staff of Punch (1843?C50), Antoine de FavrayFrench, 1706-died circa 1791,French painter. He is not documented until 1738, when he was mentioned as a private pupil of Jean-Fran?ois de Troy (ii), who was then director of the Acad?mie de France in Rome; in 1739 he became an official student at the Acad?mie. Among his student works is a copy (untraced) of Raphael's Fire in the Borgo (Rome, Vatican, Stanza dell'Incendio), which was mentioned by Charles de Brosses and exhibited in Paris in 1741. In 1744, for reasons that are not clear, he left Rome for Malta, remaining there for much of the rest of his career and devoting himself primarily to portraiture and genre painting. His ambition as a history painter, however, was fulfilled to a certain extent as a result of the patronage of two Grand Masters of the Order of the Knights of Malta, Manoel Pinto da Fonseca and Emmanuel de Rohan. His first dated picture executed in Malta is a Portrait of a Maltese Lady (1745; Paris, Louvre).
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